Brick Movie In Hindi, a Thriller and Drama film, is set to release tomorrow, July 11, 2025, on Netflix. Directed and written by Philip Koch, the 1-hour and 39-minute movie was produced by Quirin Berg, Katrin Goetter, Max Wiedemann, and Philip Koch.
Brick 2025 Movie Overviews
| Movie Name | Maalik 2025 Movie |
| Original Language | German, English |
| Spoken Language | Hindi, Tamil, Telugu |
| Release Date | 11 July 2025 |
| Runtime | 1 hour and 39 minutes |
| Country | Germany |
| Genres | Thriller Drama |
| Writer | Philip Koch |
| Director | Philip Koch |
| Producer | Quirin Berg, Katrin Goetter, Max Wiedemann, Philip Koch |
| Production Co. | Netflix |
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Brick 2025 Movie Screenshots
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Brick 2025 Movie Star Cast
| Actor | Role |
|---|---|
| Matthias Schweighöfer | Tim |
| Ruby O. Fee | Olivia |
| Frederick Lau | Gael |
| Alexander Beyer | Friedman |
| Sira‑Anna Faal | Lea |
| Axel Werner | Oswalt |
| Salber Lee Williams | Ana |
Brick 2025 Movie Trailer
Brick 2025 Movie Review
A high-concept sci-fi thriller like Brick hinges on a gripping premise: residents of an apartment building wake to find their home encased in mysterious, indestructible metal bricks. This Twilight Zone-esque setup, evoking shades of Escape Room, The Platform, or Vincenzo Natali’s Cube, promises 90 minutes of taut survival suspense—perfect for Netflix’s catalog. Yet, a strong premise alone isn’t enough; it demands sharp writing, directing, and performances to breathe life into the concept. Unfortunately, Brick—sharing its name with Rian Johnson’s far superior 2005 neo-noir—falls flat, as lifeless as its title suggests. Matthias Schweighöfer, no Joseph Gordon-Levitt despite their shared age, struggles to anchor the film.
Schweighöfer’s casting has long been puzzling, notably in Zack Snyder’s Army of the Dead, where his 40-something safecracker was inexplicably called “a kid.” His boyish features seem to have misled casting directors, but in Brick, as protagonist Tim, his appearance is jarringly ambiguous—simultaneously weathered and artificially youthful. This mirrors the film’s broader failure to ground its conventional premise in anything authentic. Brick feels wholly artificial, its constant uncanny and off-putting qualities preventing any immersion for the audience.
