The film Show Time Movie In Hindi belongs to the Crime, and Drama subgenres. Madhan Dakshinamurthy directed the film, Madhan Dakshinamurthy wrote the script. Skyline Movies presents the film, which was produced by Krishna kishore Garikipati. On 28 July 2025, Show Time 2025 Movie was released to OTT, and its runtime was 1 hour and 46 minutes.
Show Time 2025 Movie Overviews

Movie Name | Show Time 2025 Movie |
Original Language | Tamil |
Spoken Language | Hindi |
Release Date | 28 July 2025 |
Runtime | 1 hour and 46 minutes |
Country | India |
Genres | Crime Drama |
Writer | Madhan Dakshinamurthy |
Director | Madhan Dakshinamurthy |
Producer | Krishna kishore Garikipati |
Editor | Sarath Kumar |
Cinematography | Vinoth Raja |
Screenplay | – |
Production Co. | Skyline Movies |
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Show Time 2025 Movie Story
Show Time” (2025) is a Telugu crime thriller directed by Madhan Dakshinamurthy, centered on a middle-class family whose lives unravel after an accidental murder. Surya (Naveen Chandra), a hot-headed gym trainer, and his wife Shanti (Kamakshi Bhaskarla) enjoy a lively family gathering, but a late-night confrontation with police officer Lakshmi Kanth (Raja Ravindra) over a noise complaint escalates. A scuffle leads to an unintended death, plunging Surya, Shanti, and their lawyer Varada Rajulu (VK Naresh) into a web of lies and paranoia. As they attempt to cover up the crime, tensions rise, and moral dilemmas test their family bonds. The story unfolds over one night, with a claustrophobic single-room setting amplifying the suspense, though the pacing lags at times. The climax delivers a darkly humorous twist, but the narrative struggles with a slow screenplay.
Show Time 2025 Movie Screenshots

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Show Time 2025 Movie Star Cast
Actor | Role / Description |
---|---|
Kamakshi Bhaskarla | Lead actress; plays the gym trainer’s wife caught in a criminal entanglement |
Naveen Chandra | Surya – a fiery gym trainer fighting to protect his wife |
V.K. Naresh | Police officer Lakshmi Kanth – determined to assert authority in the case |
Raja Ravindra | Supporting role – involved in the unfolding crime-thriller plot |
Show Time 2025 Movie Review
The story of Show Time centers on a middle-class family whose lives are upended by a shocking murder. Surya (Naveen Chandra) and his wife Shanti (Kamakshi Bhaskarla) are enjoying a quiet evening at home watching TV when a late-night event delivers a devastating blow. The narrative unfolds to reveal how this incident connects to CI Lakshmikanth (Raja Ravindra) and lawyer Varadarajulu (V.K. Naresh), forming the crux of the story’s intrigue.
Naveen Chandra delivers a fitting performance, portraying Surya with sincerity and emotional depth, consistent with his previous roles. His expressive acting and strong screen presence anchor the film effectively. V.K. Naresh shines as Varadarajulu, injecting humor and elevating key scenes, though his over-the-top moments occasionally feel excessive and grating. Raja Ravindra makes a strong impression as the intense police officer, maintaining a serious demeanor that adds weight to the narrative.
Kamakshi Bhaskarla performs competently, fulfilling the demands of her role with ease. Gemini Suresh provides comic relief, while other supporting actors deliver adequate but unremarkable performances, often seeming detached.
Directed by Madan Dakshinamurthy, who also penned the story, Show Time unfolds over a single day, showcasing his creative choice to confine the narrative to one room. The first half wraps up briskly in 90 minutes, setting the stage for a more focused second half. Naresh’s entry introduces a twist laced with humor, but the film could have benefited from sharper humor, stronger suspense, and more impactful twists to heighten its intensity.
Gavireddy Srinivas’s dialogues are effective but lack the punch to make key moments stand out. The episodes featuring Naresh and Raja Ravindra are highlights, and the climax offers a fresh twist to sustain interest. T. Vinod Raja’s cinematography aligns well with the story’s tone, while Sekhar Chandra’s background score enhances the narrative’s mood. Sarath Kumar’s editing is satisfactory, and the production values are adequate for the film’s scale.