Stolen is a Hindi crime-drama film released in theaters on June 4, 2025. Directed by Karan Tejpal, the script was penned by Karan Tejpal, Gaurav Dhingra, and Swapnil Salkar. Presented by Jungle Book Studio, the film was produced by Gaurav Dhingra and has a runtime of 1 hour and 33 minutes.
Stolen 2025 Movie Overviews
| Movie Name | Stolen 2025 Movie |
| Original Language | Hindi |
| Spoken Language | Hindi |
| Release Date | 4 June 2025 |
| Runtime | 1 hour and 33 minutes |
| Country | India |
| Genres | Crime Drama |
| Writer | Karan Tejpal, Gaurav Dhingra, Swapnil Salkar |
| Director | Karan Tejpal |
| Producer | Gaurav Dhingra |
| Production Co. | Jungle Book Studio |
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Stolen 2025 Movie Screenshots
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Stolen 2025 Movie Star Cast
| Actor | Character Name |
|---|---|
| Abhishek Banerjee | Gautam |
| Shubham | Rahul (Gautam’s brother) |
| Mia Maelzer | Jhumpa (Tribal mother) |
| Harish Khanna | Inspector Rathi |
| Purnima Rathod | Tea Stall Woman |
| Vinod Rawat | Constable Madhav |
Stolen 2025 Movie Trailer
Stolen 2025 Movie Review
Stolen is a taut, atmospheric thriller that unfolds over one harrowing night, drawing inspiration from a real-life 2018 incident in Assam where two men were killed by a mob over false child abduction rumors. Director Tejpal transplants the story to a vividly realized Rajasthan setting, delivering a lean, 90-minute narrative that grips you with its relentless tension and surprising emotional depth.
Gautam (Abhishek Banerjee), a polished, affluent man with slicked-back hair and a no-nonsense attitude, arrives at a desolate Rajasthan railway station to pick up his younger brother, Raman (Shubham Vardhan). Gautam is eager to get home for their mother’s wedding afterparty (“It’s not lit without your moves,” he’s told over the phone). But the night takes a dark turn when Jhumpa (Mia Maelzer), a desperate migrant laborer, discovers her five-month-old daughter has been stolen from the platform.
Initially suspecting Raman, Jhumpa soon accepts his offer to help. The trio—Gautam, Raman, and Jhumpa—sets off in Gautam’s black SUV, chasing a weak lead alongside two local police officers. At a checkpoint, their pursuit is derailed when forest officers intercept them. A viral video, spread through grassroots vigilance groups, falsely brands them as child kidnappers, turning their mission into a desperate flight from an enraged mob. The film cleverly mirrors the modern-day horror of fake news, evoking the menace of a digital-age wanted poster.
