The action and sci-fi film, Superman, directed and written by James Gunn, is set to be released in theaters on July 11, 2025. This DC Studios, Troll Court Entertainment, and The Safran Company presentation, produced by Peter Safran and James Gunn, has a runtime of 2 hours and 9 minutes.
Superman 2025 Movie Overviews
| Movie Name | Superman 2025 Movie |
| Original Language | English |
| Spoken Language | Hindi |
| Release Date | 11 July 2025 |
| Runtime | 2 hour and 09 minutes |
| Country | United States |
| Genres | Action Sci- Fi |
| Writer | James Gunn |
| Director | James Gunn |
| Producer | Peter Safran, James Gunn |
| Production Co. | DC Studios, Troll Court Entertainment, The Safran Company |
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Superman 2025 Movie Screenshots
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Superman 2025 Movie Star Cast
| Actor | Role |
|---|---|
| David Corenswet | Clark Kent / Superman |
| Rachel Brosnahan | Lois Lane |
| Skyler Gisondo | Jimmy Olsen |
| Wendell Pierce | Perry White |
| Isabela Merced | Hawkgirl |
| Edi Gathegi | Mister Terrific |
| Anthony Carrigan | Metamorpho |
| María Gabriela de Faría | The Engineer |
| Terence Rosemore | Otis |
Superman 2025 Movie Trailer
Superman 2025 Movie Review
In James Gunn’s lively yet uneven “Superman,” one of the standout moments is a quiet, simple scene. Rachel Brosnahan’s Lois Lane returns to her apartment to find David Corenswet’s Clark Kent preparing “breakfast for dinner” to mark their three-month anniversary.
Clark claims it’s her favorite; Lois counters that it’s his. Their exchange captures the tentative, sweet early days of a relationship, where one is more invested than the other, and they’re still learning each other’s quirks. Add to that Clark’s dual identity as Superman, the Daily Planet reporter who conveniently scores exclusive, softball interviews with himself. But he agrees to let Lois conduct a proper, on-the-record interview with Superman. What follows is a sharp, well-acted scene that feels like a modern screwball comedy with weighty undertones, as Lois presses Superman with tough, fair questions about the ethics of his unilateral decision to stop a foreign war without U.S. approval.
It’s a highlight. Gunn peppers the film with several strong, dialogue-driven moments amid the CGI chaos, existential angst, and cameo-fueled humor. He also commits to framing Superman as the quintessential American immigrant story, which works well. Yet, this first chapter of the new DC Universe feels like cinematic fast food—tasty in the moment but ultimately unsatisfying, like a familiar Happy Meal with empty calories. Despite Corenswet and Brosnahan’s heartfelt performances and the vibrant supporting cast, the Gods and Monsters elements echo Gunn’s “Guardians of the Galaxy” leftovers, and the action sequences feel like rushed, recycled versions of countless superhero battles. This “Superman” nods to the 1978 classic but falls short of its pure pop entertainment spark.
